Caught in the Act: Brecht, Handke and Dzogchen
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Institute for the Study of Performance and Spirituality
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In this article, Kubiak proposes that we can trace a continuity of estrangements, metacommentaries, and alienation effects running through theatre’s history. This he does by placing the self-reflexivity of Brechtian and other contemporary performance theories alongside the Mahamudra and Dzogchen approaches to meditation.
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