"Theatre in Absentia" and Negative Theology: The "Theatre That May or May Not Be Theatre" of Implied Violence

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dc.creatorChambers, Claire
dc.date2011
dc.date.accessioned2024-05-16T16:14:16Z
dc.date.available2024-05-16T16:14:16Z
dc.descriptionThis paper offers three readings of the experimental performance of Implied Violence, which traffics in refusal, abjection, Otherness, and the possibility of non-being. Chambers places these readings in conversation with three different medieval negative theologians: Meister Eckhart, Hildegarde von Bingen, and Marguerite Porete. Through this exploration, Chambers draws out the parallels between apophatic spirituality and performance that Chambers calls the "theatre in absentia."
dc.identifierutoledo:6339
dc.identifiercitekey: Chambers2011
dc.identifieraccessnum: 55-143-1-PB
dc.identifier.urihttps://hdl.handle.net/20.500.14324/267
dc.language.isoeng
dc.publisherInstitute for the Study of Performance and Spirituality
dc.relationPerformance and Spirituality: 2010-2015 (Archive)
dc.rightsIn Copyright
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.title"Theatre in Absentia" and Negative Theology: The "Theatre That May or May Not Be Theatre" of Implied Violence
dc.typeText
dc.typearticle

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