Spirit to Ashes, Performance to Dust: Derrida, Theatre de Complicite, and the Question of a "Holy Theatre"
dc.creator | Gritzner, Karoline | |
dc.date | 2011 | |
dc.date.accessioned | 2024-05-16T16:14:13Z | |
dc.date.available | 2024-05-16T16:14:13Z | |
dc.identifier | utoledo:6323 | |
dc.identifier | citekey: Gritzner2011 | |
dc.identifier | accessnum: 5-5-1-PB | |
dc.identifier.uri | https://hdl.handle.net/20.500.14324/255 | |
dc.language.iso | eng | |
dc.publisher | Institute for the Study of Performance and Spirituality | |
dc.relation | Performance and Spirituality: 2010-2015 (Archive) | |
dc.rights | In Copyright | |
dc.rights.uri | https://rightsstatements.org/vocab/InC/1.0/ | |
dc.subject | spirit | |
dc.subject | holy theatre | |
dc.subject | deconstruction | |
dc.subject | Heidegger | |
dc.subject | Derrida | |
dc.subject | Theatre de Complicite | |
dc.title | Spirit to Ashes, Performance to Dust: Derrida, Theatre de Complicite, and the Question of a "Holy Theatre" | |
dc.type | Text | |
dc.type | article |
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