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Spiritual Aspects of Operatic Singing
Spiritual Aspects of Operatic Singing: Klaus Florian Vogt. (2012). Performance And Spirituality, 3(1).
Through the Lens
Parker-Starbuck, J. (2015). Through the Lens: Developing Praxis in Studio Theatre Production. Performance and Spirituality, 4.
A Note From the Editor
Lingan, E. B. (2009). A Note From the Editor: Delineating the Field. Performance and Spirituality, 1(1).
"Theatre in Absentia" and Negative Theology
Chambers, C. M. (2011). " Theatre in Absentia" and Negative Theology: The "Theatre That May or May Not Be Theatre" of Implied Violence. Performance and Spirituality, 2(1).
A Postcool "Everywoman"
Nelson, V. (2009). A Postcool "Everywoman". Performance and Spirituality, 1(1).
The Quick Change Artist
Nelson, V. (2015). The Quick Change Artist: Remembering Daniel Gerould. Performance and Spirituality, 4.
Immortal Voices of the Speechless Deep
Liu, S. (2015). Immortal Voices of the Speechless Deep: The Sea as "Gray," "White," and "Black" Villain in Nautical Melodrama. Performance and Spirituality, 4.
Phillip Zarrilli’s Summer Training 2011
Wilson, T. (2012). Phillip Zarrilli’s Summer Training 2011. Performance And Spirituality, 3(1).
The Daniel Gerould Issue
Lingan, E. B. (2015). The Daniel Gerould Issue. Performance and Spirituality, 4.
Mudra Space Awareness
Worley, L. (2012). Mudra Space Awareness. Performance And Spirituality, 3(2).
Saints, Snakes and Healing in Modern and Ancient Greece and Italy
Haland, E. J. (2011). Saints, Snakes and Healing in Modern and Ancient Greece and Italy. Performance And Spirituality, 2(1), 111-151.
"You’ve Got to Grow or Go"
Winslade, J. L. (2009). " You’ve Got to Grow or Go": Initiation, Performance, and Reality Television. Performance and Spirituality, 1(1).
Spirit to Ashes, Performance to Dust
Gritzner, K. (2011). Spirit to Ashes, Performance to Dust: Derrida, Theatre de Complicite, and the Question of a "Holy Theatre". Performance And Spirituality, 2(1), 85-110.
Entering the Heart of Experience
Middleton, D., & Chamberlain, F. (2012). Entering the Heart of Experience: First Person Accounts in Performance & Spirituality. Performance and Spirituality, 3(1).
Researching Spiritual Performance
Hammer, A. (2012). Researching Spiritual Performance. Performance And Spirituality, 3(1).
A Point of Transition
Lingan, E. B. (2011). A Point of Transition: Broadened Research and New Directions in Performance and Spirituality. Performance And Spirituality, 2(1).
Transformations of Religious Performativity
Aronson-Lehavi, S. (2009). Transformations of Religious Performativity: Sacrificial Figures in Modern Experimental Theatre. Performance and Spirituality, 3(2).
Embodiment, Balinese Theatre and the Ethnographer's Predicament
Turner, J. C. (2011). Embodiment, Balinese Theatre and the Ethnographer’s Predicament. Performance And Spirituality, 2(1), 60-84.
Islam and the Colonial Stage in North Africa
Amine, K., & Carlson, M. (2012). Islam and the Colonial Stage in North Africa. Performance And Spirituality, 3(1).
Opera and Spirituality
Opera and Spirituality. (2011). Performance And Spirituality, 2(1), 38-59.

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